Teresa accidentally comes across Pablo, her old college love. Fifteen years ago, they had each left their country believing the other dead at the hands of a military dictatorship, and they must now come to terms with their past.

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Marco, Patricio and Lucrecia form a peculiar loving relationship. For Patricio this does not seem to be a problem; it is shown as a person willing to a fickle love. But Marco plays the role of the neurotic: he does not feel a taste in this triad, he chases the girl, questions his friend, bothers the relationship and shows his disagreement. This could go through a triangle to use, one more in the history of cinema. But sometimes the geometry breaks.

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When a policeman begins dreaming that he is a murderer and the homicides actually start taking, his brother is to blame.

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